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Article: Good, Fast, Cheap. Why You Can Only Ever Have Two — In Tattooing and in Jewellery

Good, Fast, Cheap. Why You Can Only Ever Have Two — In Tattooing and in Jewellery
bespoke jewellery

Good, Fast, Cheap. Why You Can Only Ever Have Two — In Tattooing and in Jewellery

I learned this lesson behind a tattoo needle, not a jeweller's bench. But it applies to both in exactly the same way.


In tattooing, there is a saying so old and so true that it has become a cliché. Good, fast, cheap …pick two! You can have a good tattoo done quickly, but it will not be cheap. You can have a cheap tattoo done quickly, but it will not be good. You can have a good tattoo at a fair price, but it will take time. You cannot have all three. It is not possible. It has never been possible. And any tattooist who tells you otherwise is the one you should walk straight back out on.


I spent nearly two decades at Gilded Cage Tattoo Studio in Brighton watching this play out. Clients who shopped around for the lowest price. Clients who came back to us afterwards, sometimes with work that could be fixed, sometimes with work that could not. The tattoo they thought was a bargain had cost them far more in the end. In regret, in cover-up work, in sitting with something on their skin that did not represent them the way they had hoped.


And then I moved into jewellery. And I watched the same thing happen all over again.


Why Do We Chase Cheap?


There is nothing wrong with wanting value for money. That is not the same thing as wanting something cheap. Value means getting something worth what you paid for it. Cheap means paying as little as possible regardless of what you are actually getting.


In jewellery, cheap usually means one of a few things. It means the stone has been treated in a way that has not been disclosed. It means the metal is not what it claims to be. It means someone, somewhere in the supply chain, was not paid fairly. It means the person who made it did not have the training, the tools, or the time to do it properly. It means corners were cut, and corners cut in jewellery do not show up immediately. They show up five years later when a stone falls out of a setting that was never quite right, or a clasp fails, or a piece that was supposed to last a lifetime starts to look like it was never meant to.


Someone Always Pays


This is the part people do not think about when they are hunting for the lowest price. If something is dramatically cheaper than everything else, it is not because you found a bargain. It is because the cost has been moved somewhere else. To the miner who was not paid fairly. To the craftsperson who was rushed. To the stone that was treated and not disclosed. To you, further down the line, when the piece does not hold up.


In tattooing we say the same thing. A cheap tattoo is never actually cheap. Someone pays. Sometimes it is the artist, working for less than their skill is worth. Sometimes it is the client, living with the result. The price just gets shifted, not removed.


I built The Illustrated Jeweller on the same values I built Gilded Cage on. That the work should be worth what it costs. That the person sitting across from me should understand exactly what they are paying for and why. That nobody in the chain, from the people who pulled the stone from the ground to the person wearing the finished piece, should be the one absorbing the cost of someone else's bargain.


What Good Actually Looks Like


When you come to The Illustrated Jeweller for a bespoke piece, you are not paying for a name or a postcode. You are paying for the hours of consultation, the sourcing of materials from dealers I trust, the bench time of a maker who cares about the work, and a piece that is built to last longer than either of us.


That is not cheap. It was never meant to be. But it is good. And it is fair, to you, to the people I work with, and to every person whose hands that stone passed through before it reached mine.


My great-great-grandfather Albert Self was a craftsman. A Royal Navy caulker who made things watertight, made things that held, made things that mattered. He was lost at sea on Christmas Day 1885, and the collection that carries his name is built on exactly that principle. Nothing rushed. Nothing hidden. Nothing that will fail the person wearing it.


“Good, fast, cheap” You can only ever have two.


At The Illustrated Jeweller, we will always choose good.


If you would like to talk about a piece made properly and made to last, we would love to hear from you. Book a consultation at theillustratedjeweller.com/pages/consultations

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